Here is one of Jesse Hartley's lock-keeper's huts that are a common sight in the Liverpool Docks system:
This particular example was restored and moved as part of the Albert Dock refurbishment some years ago. How very satisfying for me to discover just now, whilst attempting a measured drawing of it, that the octagonal geometry is as perfectly co-ordinated as the geometry of a medieval church. Look in my sketch drawing below how the ground plan; the openings, and the roof profiles are all co-ordinated with great care along a system of interlocking 'octagrams':
...this was a necessary tool in the Middle Ages, when masons didn't have sophisticated calculating techniques at their disposal. It also enabled them to imbue their buildings with a sense of divinity - they believed that the Universe had been planned on geometrical principles.
The two west towers of Laon Cathedral in northern France are planned on exactly the same system:
Here is a page from Villard de Honnecourt's sketch book of about 1230 in which he draws a plan of the towers. I have superimposed the underlying system in red.
But this little building was created by a bluff engineer in the middle of the 19th century for new docks in a rapidly expanding commercial enterprise. Hartley may not have wanted a 'divine' quality for his buildings, but he was using geometry as a protection against arbitrariness - How deep should the roof overhang be? - let the geometrical system be the decider.
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